Iridium pedal3/25/2023 ![]() I talked to my buddy about it afterwards and he informed me that's exactly why they're so expensive and pro level. And the low end was super low and punchy, but absolutely no drone. Sounded like studio monitor quality but in a PA form. If you REALLY want to go high end, I did a video shoot one time and my buddy that does high-end arena and stadium pro touring systems brought in some EAW speakers and holy crap, they were INCREDIBLE. Crisper, no weird mids, doesn't sound nearly as boxy, the low end is much tighter and most importantly, the proximity is much better. ![]() I also have some active 12" Mackie wedges I used to tour with, can't remember the model, but they were about $700 a piece 6 years ago, and the QSC blows them away as far as quality. I've found it to be my favorite when it's available. Costs three times as much as the Headrush but it's waaay more usable for a wedge. For a wedge type active monitor I'd highly suggest the QSC K10.2. To combat this, it's all about wedge quality and proximity and finding a good balance. Or even small club gigs full band, the wedges are so close to my feet the mids and highs are a couple yards behind my head and I'm getting most of the lows off the side of the cone. Can't tell you how many times I've played an acoustic club gig in Nashville and I'm drowned out by my own low end due to placement from the cabs. It all has to do where you're standing and the quality of the build of the PA/monitor/FRFR you're using. I haven't had much experience with an Iridium, but I've had that issue with every acoustic rig I've put together and with the Kemper.
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